These sculptures explore and promote the tensions which exist between visual and tactile experience.
With particular emphasis placed on the coexistence of disrupted forms and reflective lustrous surfaces this work makes reference to both sculpture and painting.
The combined use of ferrous and non ferrous metals together with gloss paint has been a significant characteristic of recent 3D work.
The utilisation of gloss paint makes reference to both protected and decorated surfaces whilst the use of discordant colours and geometric design suggests dual concerns associated with attraction and caution. The disrupted forms and structures suggest both uncertainty and movement.
Within the work the temptation and desire to touch is negated by the objects status whilst being simultaneously encouraged by the presence of functional attributes and fixtures.
The use of manufactured items such as wooden handles is significant in promoting issues concerning functionality and scale.
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